The track titles are taken from William Blake’s Songs of 'Innocence and Experience', as with all the lyrics on Tender Symmetry. From Night taken from the poem ‘Night’ and Sweet Joy from ‘Infant Joy’, represent contrasting sides of Blake’s prose and early childhood in general.

“From Night begins mysteriously, a gathering chorus of evening birdsong, before the starlight breaks through, and later takes the nocturnal twists of darkness and doubt that will be familiar to everyone who has been awake throughout the night. Sweet Joy has a rocking, lullaby quality meant to evoke the wordless song between parent and child, and those with good ears will be able to hear the bells of All Hallows church ringing about 40 seconds into the piece — a beautiful happy accident that was much too good to edit out,” adds Michael.