Berlin-based composer, producer and sound designer Ben Lukas Boysen joined Erased Tapes in 2016 with the re-release of his debut album Gravity and new album Spells. Spells merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut Gravity left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks — this is a real piano.”

His intricate, humanised programming — enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors — has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, Spells can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths.

Though Spells and Gravity are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents — united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor — brought back an understanding of why he wanted to write music in the first place.

Born into a musical family in Argentina, Sebastian Plano is a classically-trained composer, producer and multi-instrumentalist. Already with the release of his debut album Arrhythmical Part of Hearts, Plano has gained international acclaim, placing him as one of the pioneering artists combining acoustic instruments and electronic music. His second full length album Impetus really takes things to the next level - mastered by Nils Frahm, this album is a moving force, stimulation and momentum that originated right after completion of his debut album.

Despite his strong classical background, Sebastian's music derives from a mixture of forms and genres, carefully combining diverse stylistic elements into thoughtful arrangements that bear the stamp of a single, unifying vision.

As well as producing other musical projects, collaborating with other artists takes a big role in Sebastian's work. Recently, he has been involved in a collaborative project with choreographer Kat Válastur and the Munich Philharmonic on the new composition for a quintet and electronics. He has also collaborated with composer Ben Lukas Boysen, recording and producing the soundtrack for Everything, an upcoming video game by David O'Reilly.