“Nature’s Course is a feeling pertaining to the way our subjective human experience is subconsciously directly related to the slow steady pace of nature and our ability to cope with our inner struggles accordingly” explains David.

The Cell further cements David’s place among the American songwriting tradition, from the slow methodical spacey instrumental Mandatory Soul to the poetic solo piano number Family and the dense and continuous Lexington Hills. With each piece we are transported to David’s unusual but rich and textured little world.

Hailing from Loomis, a small town outside of Sacramento, via Portland, Oregon – David worked as a sound engineer and session musician, featuring on multiple recordings by the likes of Birger Olsen, Brigid Mae Power, Brumes, The Beacon Sound Choir, Chantal Acda, Heather Woods Broderick, Jung Body, Masayoshi Fujita, and many more. He quickly found himself touring Europe with Peter Broderick, culminating in a Royal Festival Hall performance, and contributing the arresting voice and double bass piece Ahoy to the Erased Tapes 10th anniversary box set 1+1=X.

David will return to Europe with more dates to be announced soon.